|
||||||
Abandoned track is not only sad to see, but a waste of real estate in most modelers' minds. However, it is a fact of life, and it can add a great deal of realism and believability to a layout, particularly one that is set in modern times. The WR&N IV featured a considerable amount of abandoned track, much more than most modelers would tend to create. The upper double-track mainline, representing abandoned CNJ right-of-way, was actually only "half-dead," as the WR&N used one of the two tracks for part of its run. This is one way to model abandoned trackage without consuming lots of valuable layout space; it also affords opportunities to add interesting and (for layouts) unusual details, such as small trees sprouting between the rails, a half-dismantled steel trestle, or a disused signal bridge like the one seen below.
Modelers like myself who are not into operation might like to try what I did on the WR&N: create an impressive—but completely non-functional—industrial switching complex. The back streets of Penwell were lined with run-down factory buildings—an all-too common sight in the Northeast. The track disappeared under asphalt in places, re-emerging in the weeds next to crumbling freight docks and passing through rusting transfer cranes. Many people remarked how realistic this area of my layout was, and I believe the abandoned track and buildings were the reason. The yellow lines trace the barely-visible trackage through part of the Pennwell industrial complex below; the inset is a view of Spano Recycling Center.
At the opposite end of the layout, nestled in bucolic farmland, was an abandoned rock quarry—another ubiquitous feature in my part of the country. Naturally I modeled a siding that once served the quarry. Since the location was the front edge of the layout, the siding received a lot of detailing. To get it right, I worked from reference photos of abandoned trackage (now completely gone) near Trenton, New Jersey. Starting with a piece of Railcraft Code 40 flex track, I cut away the connective bits between the ties on the underside of the rail, then moved some of the ties around in irregular patterns. The track was airbrushed with roof brown, followed by various thinned gray washes brushed on the ties. After attaching it to the layout with small pieces of double-stick foam tape, I poured on a thin mix of Sculptamold, pre-tinted with a mud color, and worked it down into the ties with a stiff brush. As the Sculptamold began to set, I carefully shaped it to represent earth that had been washed out from under parts of the track and down a short slope. When dry, I applied vegetation. Here is another view.
Image specs: The first image was captured with a Canon 20D digital SLR. The layout photo is a 35mm Ektachrome 200 slide taken with a Canon TL and a 50mm lens modified with a 300 micron pinhole. The layout track plan fragment was originally rendered in CorelDraw and further processed with Corel Photo-Paint. The last three images are frame grabs from a Hi-8 camcorder tape. Return to Chapter 6 Copyright © 2006-2008 by David K. Smith.
All Rights Reserved. |
||||||